Tuesday, November 23, 2010

Congratulations Ashley and Gina!

Yesterday was release day for my two friends Ashley Christman and Gina Gordon. Let's take a look at their books.

The Witching Hour by Ashley Christman

The gods just might be crazy.


Lucky Sands is anything but. His wife is cheating on him, his job sucks, and when she walks out on him and dies in a car crash, the only thing he can think of is drowning himself in cheap booze and cheaper sex. But when he finds his childhood friend Tuesday Peters working in a brothel, his luck takes a steep downward dive after he finds out her twin sister is dead...and that Wednesday's death was no accident. Together Lucky and Tuesday embark on a search for answers, plagued by spirits and deities alike. Every clue along their path points not just to the truth of Wednesday's murder, but to divine machinations that prove everything Lucky knows about life to be wrong--and prove there's no such thing as luck. Only fate...and the madness of the gods.

Content Warning: Murder, mystery, romance, family secrets and the madness of the gods.


Forever In Lingerie by Gina Gordon

How far would you go to hold on to forever?


Martina Jackson spent the last two years running from her past. Through the practice of Holistic Medicine she has meticulously transformed into a self-fulfilled woman, with one tiny exception…hot, steamy sex with no strings.

While she waits for the job offer of a lifetime, why not quench her sexual desires with an eager man willing to push her to the limit? What she doesn’t plan for is, the fling is exactly what she’s been running from.

Rob Taylor has been waiting his whole life to find the woman he can call forever. He didn’t expect to find her in his parents' living room wearing nothing but white lace and stockings. When he ove hears her discussing her secret sexual fantasies, Rob decides to give her what she’s been missing.

As they play out each fantasy he connects with Martina on a deeper level, confirming what he knew the very first moment he heard her voice…that she is the one he’s been waiting for.

Content warning; explicit sex, ménage and the use of Holistic Medicine as foreplay.




Congratulations to Ashley and Gina on their new releases!

Monday, November 22, 2010

HP7.1

Good God, Harry Potter. The latest movie did not disappoint. I had my doubts about splitting this last book in two but the point they chose to make the break was perfect, and I know the Battle Of Hogwarts will be one for the ages. I'll need to take a box of tissue though. The body count was high in that last book. Rowling never shied away from killing major characters, characters loved deeply by fans. It's always made me feel a mixture of respect and horror for her. If you follow the adage that writers put the characters they love the most through the absolute worst, I'd say after Harry her next favorite must have been George Weasley. The twins were such delightful characters. In the whole series the only thing that made me cry harder than Fred Weasley's death in the battle was also in the last book - Harry's walk through the forest alone, every step taking him closer to Voldemort, closer to death.

One of my favorite things that we get to see a bit more of in the movies than in the books was Harry and others from the Wizarding world interacting with the Muggle world. That's always interesting to me, especially seeing the younger ones like Harry and Hermione who were raised Muggle and still have one foot in that world navigating through both. Scenes that take place in ordinary places like coffee shops and the like are always just so neat to me. It looks like a regular modern setting, but then all of a sudden there's some bit of magic. Dumbledore appears, or owls delivering letters to a tidy suburban home, or the Knight Bus swings and slides through traffic. It creates such a lovely sense of wonder - what sort of magic is hidden in the ordinary world that escapes our attention, things just out of focus and long gone before we even had time to form a thought about them. Well, it's not that there's more of that in the movies but it makes a stronger impression, on me at least, because of the visual aspect of movies. For me, the books feel like total immersion in the Wizarding world. I'd always rush to get through any opening chapters with Harry still at the Dursley's as fast as I could.

One of my favorite moments in the new movie was a bittersweet moment between Harry and Hermione after Ron has had a fit and left them. I found out what song was used in the scene - O Children by Nick Cave and the Bad Seeds. Yes, Nick Cave in a Harry Potter movie. This is how movies are done right.

Saturday, November 20, 2010

Skipping the bandwagon

Cross-posted from Frightening Journeys.

Sci-fi fantasy blog io9 has decided zombies are the new vampires, as detailed in this post A History of Zombies in America. The post has some interesting ideas and the new television show The Walking Dead has certainly gotten a lot of buzz. However, I don't care. You can have your zombies if that's your cup of tea, but I remain firmly on Team Vampire. The zombie trend is one I am happy to let pass me by. I sat through the movie Zombieland and that was enough for me.

Why do I dislike zombies? I think it's two reasons. One is the overwhelming amount of gore found in zombie stories. It's just too much for me and I don't enjoy it. That level of gore is not remotely entertaining to me, but that's just a personal preference. It doesn't bother others and that's fine. I try not to judge people for their entertainment choices, unless it's reality shows. I think reality shows are stupid, which coincidently is my second reason for disliking zombies.

Most portrayals of zombies are of the brainless cannibal variety. One point in the io9 post is about zombies being something of a metaphor for mindless consumerism and I think that is an excellent point. If you want to see a zombie horde in action, go to Walmart on Black Friday, the opening bell ringing in the holiday shopping season. We were actually going to go this year because our microwave is dying and we thought we'd get one on sale. Come to find out, Walmart won't have any microwaves on sale. So now we have no reason to go to any shopping place on Black Friday and I can't tell you how relieved I am. I'm so relieved I could bake (and I never bake. My husband does the baking in our family.)

Basically there's just nothing interesting to me about zombies. There's no clash of wills, matching of wits, and certainly no seductive temptation. I know there are authors out there who are refashioning zombies into something new and different rather then the old brainless shambling lump, and I applaud their creativity. I hope this new zombie craze brings them fabulous books sales. And I hope they understand when I don't jump on the bandwagon, either as a reader or a writer. I will follow vampires back into the dark shadows from whence they came.

Friday, November 19, 2010

Hatching plots

Cross-posted from Write Club.

I've always been what's called a pantser, writing by the seat of my pants without knowing where the story might wind up. That's not working for me anymore. Too many times lately, work on a manuscript has come to a halt because I didn't know what happened next. That was okay when I was writing for my own amusement but now I'd like to get paid for my work, even it's just enough to buy books. One of the best ways to do that is to keep writing and keep publishing. Spending a week or more figuring out how to get from Point G to Point H, in the middle of writing the novel, and probably having to do it again a few more times, doesn't exactly help with that goal. I've tried outlining before but never successfully. I'd get a few steps into it and get impatient and start writing. Only to stop at some point because I didn't know what happened next, or I had a new character to introduce and didn't know enough about them, or some other problem. So I've decided I've got to start preparing complete outlines. I'm going to use the snowflake method and instead of stopping at step two and half, I'm going to complete the thing. And then write the damn book (that would be Step 10 on the list I made for reference.)

Are you a pantser or a plotter? If you're a plotter, what method do you use? If you're a pantser, how do you deal with an uncooperative story?

Monday, November 15, 2010

An interview and a guest post

Just a quick post today to share a couple of links.

Gina Gordon is having a month long blog event to celebrate the release of her novella Forever in Lingerie and I've got a guest post up - you can read it here.

Toad's Corner genre blog has an interview with me in which I talk about both Bring on the Night and Mojo Queen - you can read that here.

Hope your Monday's going well!

Friday, November 12, 2010

The Moral of the Story

Cross-posted from Write Club.


One of my recent library finds was a popular paranormal YA novel called Hush Hush. I read it because the jacket copy sounded good, completely unaware of any controversy about the book. It started out fairly well but at some point it seemed like the wheels fell off the wagon, so to speak. Ultimately I decided it was an okay read, but I won't be looking for the sequel.

What was my problem with it? Mainly a strong sense of déjà vu, otherwise known as "hey this is almost exactly like Twilight!" But I will say this: I thought the writing was better overall, and though heroine Nora was just as boring as Bella, in contrast with Edward bad boy Patch was not boring. He was closer to what Edward should have been, but since (in my opinion) Meyer didn't really want to write a "bad boy" character despite making him a vampire, Edward was flat and boring and far too much of a Mary Sue, robbing the story of tension. Hush Hush did not lack for tension, which is probably why I had enough interest in it to finish.

The controversy I discovered after reading the book is not about the resemblance to Twilight exactly, but about how both books seem to glorify the whole "stalker boyfriends are sexy" idea. It's true there is plenty of creepy behavior in both books - Edward sneaking into Bella's room to watch her sleep, Patch trying to kill Nora to break his curse. The fact that these two stories fell flat for me personally has nothing to do with this aspect of the plots. I mean, I love Spike, okay? Spike was the king of Inappropriate Behavior By A Suitor. I think these books should be judged on the strength of the writing and the power of the story, not on whether they conform to a certain morality or political correctness. It is not the job of fiction to teach people the difference between fiction and reality. We all know if a guy breaks into our room to watch us sleep, it's time to call the cops and for the guy to get some therapy. That's what I would teach a daughter who might want to read these books. Fiction is fiction, and reality is reality. Although fiction can be a mirror of reality, it doesn't have to be. The story doesn't always have to have a polite, well-mannered  moral. That is one of the freedoms we can enjoy with escapist fiction.

Having said that, I do think a lot of the critics of this Stalker Boyfriend subgenre are missing a salient point. To me, these are redemption stories. Maybe that distills things too simplistically for people who want to write a dissertation on how Twilight is anti-feminist, or anti-whatever, but I think those people are reading way, WAY too much into these books. My problems with Twilight can be summed up in four words: boring vampires, and Breaking Dawn. Neither of those things has any relation to the vast majority of criticism thrown at the series. I think it would be perfectly fine if an author wrote a book about a teenage girl who falls for the bad boy, realizes he's a creepy obsessive stalker, dumps him, and then starts dating the sweet nerdy guy who's always been a good friend to her. I'd read that book and if it was well-written and engaging, tell everyone about it. If an author wants to write a book about a girl that falls for the guy who frequently crosses the line from Alpha Male to Stalker Boyfriend, and she loves him anyway, well, if it's well-written and engaging, I'll read it and tell people it's a good book. I'll repeat this point: it's not the job of fiction to teach people the difference between fiction and reality. Even Young Adult fiction.

Thoughts? Comments? Disagreements?

Monday, November 8, 2010

Insomniac Postmidnights

A lot of people are used to having music as background noise. Mostly they’re casual listeners, because they don’t really listen. They get nothing from music but noise and maybe a vague cinematic conceit. That’s okay if it’s all you’re looking for, but I’ve never had a casual relationship with music. The number of songs that have provided some sort of personal touchstone for me would make for an endless and eclectic playlist. Hearing certain artists can bring forth memories of certain times of my life, which isn’t all that uncommon except that I’m obsessive and want to know the why of things. What forges that connection between whatever internal switch is flipped, and the piece of music that flips it? The music that has worked its way under my skin down deep into my soul - where did it come from? What kind of fire forged it, what shaped it? Can I trace its family tree, decode its DNA, and if so, what can I learn from that? Music is a mystery I want to get to the bottom of, even though I know I never will. Rock and roll is a religion of ecstasy, something to be experienced rather than explained. It contains deeper truths than can be comfortably put to words. On some cellular level we all know - okay, maybe not all of us, we all know people not overly blessed with self-awareness (which I think is a polite way of saying “shallow and kind of dumb”) - we all know what Darkness on the Edge of Town is all about. But we don’t want to talk about it. Don’t even want to think about it. And perhaps because of that, we desperately need those shamans who travel into the mystic, searching for the Veedon Fleece, walking through the jagged glass and hellish fires and nuclear winters of the human heart and coming back to tell us what they found there. Because looking too close can be terrifying.

I'm supposed to be explaining why I use the tag "insomniac postmidnights" for music posts. It comes from this quote:
So perhaps the truest autobiography I could ever write, and I know this holds as well for many other people, would take place largely at record counters, jukeboxes, pushing forward in the driver's seat while AM walloped you on, alone under headphones with vast scenic bridges and angelic choirs in the brain through insomniac postmidnights, or just to sit at leisure stoned or not in the vast benign lap of America, slapping on sides and feeling good.
Lester Bangs
Psychotic Reactions and Carburetor Dung

Lester was talking about a personal soundtrack, of course. Mine breaks down like this: Blues for the blues. Jazz for the mean reds. Country when family is on my mind. The incantatory shimmer of Van Morrison for a glimpse into the mystic. Rock and roll runs the gamut and brings it all back home. Of all the music books in my library and all the underlined passages and turned down page corners in them, this quote from Lester Bangs is my favorite. It says so much about so many people's relationship with music. I could, and probably will, spend a lifetime trying to distill my own feelings about music into words, but nothing I write will ever be as good as this.

Saturday, November 6, 2010

Special Recipe

Cross-posted from Frightening Journeys.


I've hit a snag in my current work in progress. Not a major one, but rather a minor case of "what happens next?" I have a rough outline of the story but not all of the little detours are mapped out. The subplot is still a bit on the vague side, too. I have to figure out a way to get my characters from Point D to Point E in the main plot, preferably with a detour that involves the subplot. If I don't come up with something soon, I'll have to use my special story recipe.

What is my Special Story Recipe, you ask? It is a time-honored proven method of advancing the plot, action, and character development in any story. Here goes:

Out of the frying pan, into the fire. Lather, rinse, repeat. 

You may have also encountered this under another name, Blow Stuff Up.

Complications are an integral part of storytelling. Without complications, your story is going to be very short. If you're writing a short story, that's fine. With a novel-length work, you're going to need complications, twists, and turns. You're going to have to make your characters work for their resolution, and sometimes that means throwing bombs at them. In action oriented genres like urban fantasy that might mean a literal bomb, or a supernatural creature that causes as much chaos and mayhem as a bomb. In the romance genre, or a romantic subplot, that might mean finding a way to complicate the relationship. For instance, misunderstandings or romantic competition might make for a complication. So would Character A accidently revealing something they didn't want Character B to know. Something guaranteed to make Character B absolutely livid…

Um, okay. I have to go blow something up now, and throw my characters into a fire.

Friday, November 5, 2010

The business side of writing

Cross-posted from Write Club.

I came across an article that I don't want to link to because a) it's terrible and b) the point of the article is not what I want to talk about in this post. There were a couple of sentences that made me think of something - the proliferation of how-to books for writers. That led me to think about all the ways writers can spend money on advancing their career.

There is no shortage of people who will take your money if you're a writer and think you need to pay for help. I can remember buying Writer's Digest magazine years ago. Mostly it just added to my recycle pile. I'm not saying there's nothing there of value, but it was of no use to me at that time. Maybe now I would find more in it that would be useful, but I don't want a magazine subscription anymore.

There's probably several forests worth of how-to books on writing. I've spent a grand total of twenty dollars on such: Stephen King's On Writing and Strunk and White's Elements of Style. There may be a few other good ones out there but I think this is a real "buyer beware" area. I'm not the biggest fan of self-help books and I think there is a very fine line between self-help books and many of the writing how-to books that are out there. The very best money you can spend on books that will help you learn the craft of writing is on fiction. Read a lot, read widely, read, read, read. In your genre, out of your genre, just read. It will do more for your writing than any how-to on the market.

There are plenty of websites that claim they can help you with networking and publicity for a nominal fee. Maybe they work, I really don't know. It would be interesting to hear from someone who has used those pay sites and find out if it helped their sales. To be honest, I don't have the disposable income to afford a bunch of memberships. As a reader, I rely more on review blogs to learn about new books, but maybe other readers do look at these sites. It does kind of seem like they are more or less marketing to other authors, which is something you can do for free on your own in various ways. But again, I don't know. Just because I don't use these sites as a reader doesn't mean other readers don't.

There are organizations you can join, too. From what I can tell most of the big ones require you to have a deal with a traditional publisher, in which case you can probably afford the organization's membership fees. I do think it would be worth it to join the Romance Writer's of America (the RWA does not require you to already have a traditional contract, but be serious in pursuing a career in writing romance and it's sub-genres.) There's a chapter in Nashville where I could attend meetings. Two things hold me back: money (as always) and the fact that I still write mostly urban fantasy. I do find myself edging into paranormal romance territory more and more often, though, so it would probably be okay for me to join the RWA.

There is an organization for writers in digital publishing, called EPIC. I haven't joined it because of a) money and b) I don't know why. I think I feel like I'm still too new at this to think of myself as being remotely professional. To be honest, I'm not very good at the business side of writing. I try, but I don't think I'm doing a very good job at that side of things. I may join EPIC next year but I'm not sure.

In my opinion there's only two things you absolutely have to spend money on: the filing fee for  your copyright, and that's only after you get the final copy of your work from your publisher, and a domain. I spent ten dollars to turn my personal blog into my own domain. I went that route because I don't know how to code or design a website but I do know how to work Blogger.

People will tell you that you have to do this, that, and the other in order to "build your platform" or "advance your career" or whatever phrase they want to use. When what they are telling you involves you, the writer, spending a lot of your own money it's either because they want you to buy their service or they have plenty of money of their own to spend. Money can be a very touchy subject. Aspiring writers often don't like to hear that if they're in this because they want homes in three states like John Grisham, they might as well give that dream up. Very, very few writers make anywhere near that kind of money. If I ever get to the point where I make the equivalent of minimum wage from my writing, that will feel like a major accomplishment. I have to take that into account when I consider how much money to spend on my "career" - how much of a return on investment am I likely to see? I spent way too much money on promotional book cover cards that very few people wanted - lesson learned. It always pays to think through your promotional investments. If your book will be digital-only, why are you considering promotional bookmarks? Maybe business cards would be a better idea.

There's a lot to think about when it comes to handling the financial side of your writing career. This post just scratched the surface, with no mention of business licenses and taxes, or working within US publishing from another country. The most important thing you can do is homework - find out as much as you can before spending any money. And think things through. Imagine this scenario: you're in a bookstore, you've got twenty dollars burning a hole in your pocket, and there are two books that have drawn your attention. One is a how-to, with some crazy title like Write That Novel In a Flash! (Exclamation point included.) The other is the newest release by an author who never fails to drag you into their fictional world. Think about which one you're more likely to learn from about the art and craft of writing.

With any luck that novel is a paperback and you can afford a cup of coffee, too.

Thursday, November 4, 2010

Top 10 Favorites by Sinatra

If you're not on Goodreads you should be, because you can enter giveaways through their First Reads program and win free books. Everybody knows free books are awesome. ;-) I just won my first - Frank: The Voice by James Kaplan, a new biography of Frank Sinatra. The email said delivery should take 4 to 6 weeks but I've already dusted off my Sinatra albums in anticipation.

Okay, I haven't so much dusted off albums as started listening to CDs added to Media Player. Sinatra's long been a favorite. I thought he'd make a good subject for my first Top 10 list.

Top 10 Favorites by Frank Sinatra

1. Night and Day
2. Witchcraft
3. French Foreign Legion
4. You and the Night and the Music
5. Fly Me To the Moon
6. Summer Wind
7. That's Life
8. New York, New York
9. In the Wee Small Hours of the Morning
10. Angel Eyes

Here's a review of the book from the LA Times. The last paragraph is a killer:
Sinatra would never recover from the loss of Gardner, and his sorrow and confusion over their breakup would color his greatest period as a singer. As his great arranger, Nelson Riddle, said, "Ava taught him how to sing a torch song."

I can't wait to get this book.

Monday, November 1, 2010

Start your engines

So I think I may have mentioned that I have an outline for a new novel for National Novel Writing Month. After finishing the first novella of the Paranormal Beat series a couple of weeks ago, I decided I would finish my NaNo outline and spend whatever time was leftover fiddling with Red House. I rewrote the second chapter and figured out some plot and character problems. I want to keep going with it, so I'm changing my NaNo plans. As of last night I had ten thousand words of Red House. My goal will be to reach the NaNo goal of fifty thousand words, bringing the manuscript up to sixty by the end of the month.

I still want to write Summer Wind, the story I outlined, at some point. Right now, though, Red House is working. Those plot and character problems that I worked out have led me in a startling direction with it and I'd be crazy not to keep going. I still want to participate in NaNo, though. Even if I don't make the word count goal, I know this book will get finished, so I feel pretty good about that.

Here's the link to my profile  - feel free to add me as a writing buddy and I'll do the same. I've added a blurb for Red House. I'm not that great at coming up with blurbs but I did my best.

Roxanne Mathis is trying to pick up the remnants of her life after losing her home in a devastating flood. Living with her vampire ancestor and back to working as a paranormal investigator, she's happy to be contracted for a new job. Maple Hill is an antebellum home now used as a bed and breakfast, but terrifying ghost activity has run off both guests and the owner. Roxie intends to do everything she can to save this house, but things are about to get complicated when her former lover returns with his sights set on getting her back.
Blake Harvill is a sorcerer who's never backed away from trouble and it's gotten him in over his head more than once. Now is no exception. He makes it clear he's back to stay but Roxie knows better than to trust him completely. Her heart's already a lost cause when it comes to Blake, but her life may be on the line when Blake's insatiable curiosity gets them trapped inside a house full of homicidal ghosts. Armed with only a bag full of herbs, her teacher's old spellbook, and a give 'em hell attitude, Roxie is going to evict every last ghost and make sure Maple Hill is still standing, come hell or high water. 


So - here goes November. If you're doing NaNo too, good luck to you. Here's to sleepless nights and lots of coffee!